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Art, Roman. --- Art --- Provenance. --- Rome --- Antiquities. --- Art, Roman --- Expertising --- Antiquities --- Provenance of art --- Roman art --- Classical antiquities --- Provenance --- Documentation

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Synthèse sur le programme architectural et décoratif de cette abbaye, symbole de la transition entre l'art roman et gothique. ©Electre 2015

Art, Romanesque --- Art, Gothic --- Art roman --- Art gothique --- Abbaye Notre-Dame de Fontfroide

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Art, Greek. --- Architecture --- Art, Roman. --- Architecture, Roman. --- Art grec --- Art romain --- Architecture romaine --- 7.032 --- 7.032 Kunststijlen van de Oudheid. Antieke kunst in het algemeen --- Kunststijlen van de Oudheid. Antieke kunst in het algemeen --- Architecture, Roman --- Art, Greek --- Art, Roman --- Greece

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"The subject of deformity and disability in the ancient Greco-Roman world has experienced a surge in scholarship over the past two decades. Recognizing a vast, but relatively un(der)explored, corpus of evidence, scholars have sought to integrate the deformed and disabled body back into our understanding of ancient society and culture, art and representation. The Hunchback in Hellenistic and Roman Art works towards this end, using the figure of the hunchback to re-think and re-read images of the 'Other' as well as key issues that lie at the very heart of ancient representation. The author takes an art-historical approach, examining key features of the corpus of hunchbacks, as well as representations of the deformed and disabled more generally. This provides fertile ground for a re-assessment of current, and likewise marginalized, scholarship on the miniature in ancient art, hyperphallicism in ancient art, and the emphasis on the male body in ancient art."-- The subject of deformity and disability in the ancient Greco-Roman world has experienced a surge in scholarship over the past two decades. Recognizing a vast, but relatively un(der)explored, corpus of evidence, scholars have sought to integrate the deformed and disabled body back into our understanding of ancient society and culture, art and representation. The Hunchback in Hellenistic and Roman Art works towards this end, using the figure of the hunchback to re-think and re-read images of the 'Other' as well as key issues that lie at the very heart of ancient representation. The author takes an art-historical approach, examining key features of the corpus of hunchbacks, as well as representations of the deformed and disabled more generally. This provides fertile ground for a re-assessment of current, and likewise marginalized, scholarship on the miniature in ancient art, hyperphallicism in ancient art, and the emphasis on the male body in ancient art

Abnormalities, Human, in art. --- Abnormalities, Human, in art --- Other (Philosophy) in art. --- Art, Hellenistic. --- Art, Roman. --- ART / History / Ancient & Classical. --- HISTORY / Ancient / General. --- LITERARY CRITICISM / Drama. --- SOCIAL SCIENCE / People with Disabilities. --- Catalogs. --- Hellenistic art --- Art, Greek --- Roman art --- Classical antiquities

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In the Roman era, paintings, mosaics, and frescoes show an increasing interest in the representation of the objects of daily life, and so it is from this period that the genre of the still life originates, a theme that has had an important place in western art. This book is devoted to the presentation and the study of these works, some of them never before published. The works, which give evidence of the skill of the artists and artisans who realized them, are set in their historical context. There are, among other pieces of evidence, a series of texts, mainly poetic, devoted to this theme: to the description of food, of various objects, of gifts made during feasting scenes. The author analyzes some of the Epigrams of the Roman poet Martial, which describe, often humorously, the ephemera of daily life. This book by Jean-Michel Croisille, a specialist in Roman painting, is the result of extensive work with ancient texts and paintings. It offers a unique approach to Roman culture, between poetry and pictoral art "C'est à l'époque romaine que peintures, mosaïques et fresques montrent un intérêt croissant pour la représentation des objets de la vie quotidienne, si bien que l'on situe désormais à cette période l'origine du genre de la nature morte, thème appelé à prendre une place considérable dans l'art occidental. Cet ouvrage est d'abord consacré à la présentation et à l'étude de ces oeuvres, pour certaines inédites, replacées dans leur contexte historique, qui témoignent de la finesse des artistes et artisans qui les réalisèrent. Il existe, par ailleurs, toute une série de textes, principalement poétiques, consacrés au même thème, qu'il s'agisse de la description de victuailles, d'objets variés ou de cadeaux faits lors de scènes de repas. Dans une démarche originale, l'auteur s'attache aux Épigrammes du poète Martial, écrites au 1er siècle de notre ère, pour souligner les correspondances frappantes existant entre son oeuvre et les représentations de natures mortes quasi contemporaines. Loin de la pompe et du triomphe romains, elles parlent, avec humour parfois, de l'éphémère de la vie quotidienne. Ce livre de Jean-Michel Croisille, spécialiste de la peinture romaine, est le fruit d'un travail approfondi sur les textes et la peinture antiques. Il offre une approche singulière de la culture romaine, entre poésie et art pictural"--

Art, Roman --- Still-life in art. --- Latin literature --- Still-life in literature. --- Art romain --- Nature morte dans l'art --- Littérature latine --- Nature morte dans la littérature --- Themes, motives. --- Thèmes, motifs --- Rome --- Antiquities. --- Antiquités --- Littérature latine --- Nature morte dans la littérature --- Thèmes, motifs --- Antiquités --- Still-life painting --- Mural painting and decoration --- Mosaics --- Nature morte --- --Peinture --- --Rome ancienne --- --Still-life painting --- --Art, Roman --- Still-life painting - Rome --- Mural painting and decoration - Rome --- Mosaics - Rome --- Peinture --- Rome ancienne